Fascinated by the Renaissance and his great masters, through the Raphael divine light, to the darkest obscurities of Caravaggio, as much as the surrealist movement, that the work of Dali is the almost obsessional link, the artist lets his brushes, away from the shore of tendencies, to sail freely between Symbolism, Realism and Surrealism, so humbly in the wonderful world of paintings and creation. Its steps, much more intellectual than aesthetic, tighten the wire which carries us out to the dreams and the subconscious. The mix of rational and irrational, in its work is finally the aterialization of its own thought, where the woman seems to be the cathedral.